

The Lady Elizabeth covers the years 1536-1588; two very important dates in Elizabeth I's life: 1536 - age three years old, a princess, the year of her mother, Anne Boleyn's, execution by her father, Henry VIII, through 1588 - the year of The Spanish Armada and the death of Lord Robert Dudley.
Although age separates the two sisters, Mary Tudor, daughter of Katherine of Aragon, and her younger sister, Elizabeth, are deeply connected to one another and value their position in King Henry’s affections. With some deference to Elizabeth’s extreme youth, Mary manages to avoid a natural tendency to resent her younger sister.
In this portrait, Mary and Elizabeth are strikingly like their mothers, Mary religious and serious, Elizabeth curious and precocious, with a markedly imperious bent that she hones over time, adapting to overwhelming challenges as a female monarch who refuses marriage regardless of the pressures of her advisors.
Although much is known of these sisters, including their lifelong tug-of-war over Elizabeth’s reluctance to betray the Reformed faith in favor of Mary’s fanatical Catholicism, Alison Weir cuts to the heart of Elizabeth’s character as a child, from a constant procession of stepmothers to the painful days of Henry’s renunciation of his daughters’ legitimacy.
Indeed, with the birth of Edward, son of Henry VIII’s union with Jane Seymour, both females are consigned to inheritance limbo, no longer referred to as “princesses” but “Ladies”. They navigate a treacherous court, but the young Elizabeth is so emotionally attached to Henry, the only male constant in her life, that she is particularly devastated by his death. Except for a few devoted souls, Elizabeth clings to Kat Ashley, the kindly servant who remains a constant caretaker and governess.
By the time she is a teen, Elizabeth has become so accustomed to courtly life that she indulges in court intrigues, becoming almost chameleonesque by perfecting her resonses to various factions who view her as a threat to Mary after Edward dies. By the time Mary takes the throne, Elizabeth has begun a private battle to protect her religious integrity in spite of Catholic Mary’s constant demands.
The beauty of Weir’s novel is in the details, the subtle challenges between the stepsisters when the faith of a kingdom is at stake, Elizabeth ever on guard against those at court who would bring her into their schemes and periodic rebellions. But danger comes in many forms, some in the guise of friendship.
Certainly, at fifteen, the beleaguered young woman can be forgiven her flirtation with a worldly and devastatingly handsome Thomas Seymour, husband of Henry’s last queen, Elizabeth’s benefactress, Katherine Parr. Having never known affection without ulterior motivation, Elizabeth’s romantic naiveté yields a harsh lesson, the treacherous consequences of youthful passion, presaging her later decisions as the Virgin Queen, ruling alone.
Alison Weir has crafted an intriguing protagonist, her destiny writ long before she ascends the throne after her unhappy sister’s death. Her world littered with plots and temptations, Elizabeth instinctively steps through a minefield of the ambitions of others, proving her strength in the most dire of circumstances, a born ruler long before she steps up to the throne of England.
One of my most favorite sections in the book is when Alison Weir writes a 'fictionalized' version of a young princess Elizabeth visiting Hever Castle, the childhood home of her mother, Anne Boleyn, upon the request of her father's then fourth wife, the short reigning Anne of Cleves, whom the author calls 'Anna'.
Kat the governess is featured in this section as well. Princess Elizabeth sleeps in her mom's bedroom, in her mom's then bed and has a ghostly visit from a mysterious woman. Here is the text taken from 'The Lady Elizabeth' by Alison Weir:
"Elizabeth was lying in her mother's bed. The curtains had been drawn, and the candle blown out. The room was dark, but in the dimness she could make out the shapes of the chairs, the prayer desk, and the clothes chest that lined the walls; and there, ona peg, hung her cream gown, brushered ready for the morning. In the distance, the hoot of an owl broke the silence.
The child could not sleep. The unfamiliar room, the strange house, the exciting discoveries and revelations of the day--all had unsettled her, and no matter how tightly she shut her eyes, or mentally recited her prayers, it was an age before she finally drifted off, and then she slept fitfully, or so it seemed.
She wasn't sure what awoke her. Probably the cold, for she came to her senses shivering. Then she became aware that she was not alone. The was a dark shape standing at the end of her bed.
"Kat?" she whispered. But the figure did not answer or move. Its face was in shadow, indeed, the whole of its body was shrouded in the gloom, but it looked like a woman, and she felt, with the first stirrings of unease, that it was watching her. A pang of alarm gripped her.
"Kat?" she spoke the name more insistently now, huddling the bedclothes around her, peering over the sheet with frightened eyes. The dark figure was still there, but it was too slender to be Kat, Elizabeth realized. She was beginning to wonder if it was a trick of the darkness or the shadow cast by a piece of furniture or the bed itself, when suddenly it held out its arms toward her. In that poignant gesture, there was supplication, yearning, and something else, something that was not frightening at all, but suprisingly comforting.
Astonished, Elizabeth rubbed the sleep from her eyes. When she opened them again, the shape had gone. The room was empty. Her heart was pounding fearfully. Had she dreamed it? Or had it really been there Of course it had, she had felt the cold, had woken up noticing the cold before she noticed the figure. It was strange, but she was no longer cold. The room was now temperate: it was August, after all. Elizabeth lay there wondering.
"Mother?" she whispered, trying out the sweet unfamiliar word on her tongue. The irristable conclusion, the only one she wanted to believe, was that Anne Boleyn's shade had come to her. But there was no answer".Interview with Alison Weir regarding The Lady Elizabeth:
In choosing to focus on the early years of Elizabeth’s life in The Lady Elizabeth, have you found fertile ground that explains the complicated queen who has so fascinated historians?
Alison Weir: Yes, this is obviously the period that shaped Elizabeth, and which holds the most clues to her emotional development and her future greatness.
The young Elizabeth is exceptionally intelligent and precocious. How did those qualities attract your attention as you researched this extraordinary woman’s life?
I was constantly astonished at her mental dexterity and formidable intelligence. A lot of people find it hard to credit that she was so precocious at a young age, but I can assure you that the evidence for it exists.
Daughter of Henry VIII and the beheaded Anne Boleyn, Elizabeth cuts her teeth on power. In the early years, when Henry is still alive and when Edward becomes king, how would you describe Mary and Elizabeth’s relationship? Do their differences become more obvious as each comes closer to her destiny?
Prevented by her bastardy and her father’s political machinations from marrying and having children, Mary lavishes her frustrated maternal instincts on her much-younger sister, of whom she is very fond. But as Elizabeth leaves childhood behind and begins to display the flirtatious characteristics of her mother, Anne Boleyn, and embraces the Protestant faith, Mary becomes more wary of her. Any friendship between these daughters of Katherine of Aragon and Anne Boleyn, who are divided by the crucial issue of faith, is inevitably doomed.
From childhood, Elizabeth is defiant about marriage. What is the source of this instinctive resistance? Does an ever-changing procession of stepmothers influence the child?
No one knows for certain what the source of her reluctance was. There were probably a number of factors. An awareness of her mother’s fate, Katherine Howard’s execution, the divorces and matrimonial controversies within her own family, the deaths of two stepmothers in childbed, and her sister Mary I’s disastrous union with Philip of Spain all probably contributed.
Knowing little of her mother, Elizabeth is deeply attached to Henry VIII, her sister Mary and brother, Edward. How does a need for motherly affection draw Elizabeth to Kat, her governess, and the newly-widowed Queen Katherine Parr, Henry’s sixth wife?
In my novel, Elizabeth is drawn to Kat despite herself, for she initially resents Kat as an interloper after the withdrawal of her first governess, Lady Bryan, who has been more of a mother to her than Anne Boleyn ever was. But she is drawn to Kat not so much for Kat’s maternal qualities as for her sense of fun and her warm and garrulous nature.
Secure in Katherine’s household, Elizabeth experiences the first real passion of her young life for Thomas Seymour, an attachment fraught with danger and betrayal. Does Katherine’s husband, the handsome Seymour, truly care for the young girl and does she love him as she believes? Who is guiltier for Elizabeth’s flirtatious relationship with Seymour, Kat, the enabling governess, or the devious Seymour?
You’ll have to read the book and decide for yourself if Seymour truly cares for Elizabeth, and if what she feels for him is love! I would say that Seymour himself bears the chief responsibility for his relationship with Elizabeth, but that Kat is to a lesser degree to blame by encouraging it in its later stages.
When Seymour pursues Elizabeth after Katherine’s death in childbirth, the queen-to-be finds herself at the center of controversy. How do the intentions of men such as Seymour, and others who later fancy her as wife, cause dangerous complications for Elizabeth during her brother’s reign and that of the Catholic Mary?
Elizabeth is heir to the throne after Edward and Mary, and by law she must obtain the Council’s consent before she marries, as must any man wishing to marry her. It would be high treason for her to marry without that consent, and punishable by death. As for seduction… It can’t get more dangerous than that!
Religious dissent plagues England after Henry’s death. How do differing religious factions bring disharmony to the country with each new reign? Is not religion at the core of every attempt to overthrow one monarch for another?
Religious factions dominated court politics in the latter years of Henry VIII’s reign, after he had broken with Rome and declared himself Head of the Church of England. Henry’s church was Catholic. He burned Protestants for heresy and Catholics for allegiance to the Pope. When Edward VI succeeded him in 1547, the country became officially Protestant, and it was in an attempt to keep it that way that Edward’s advisers set up Lady Jane Grey as queen on Edward’s death in 1553. But Mary, the rightful heir, triumphed, and under her England reverted officially to Roman Catholicism. Mary alienated her subjects by burning three hundred Protestant martyrs, so there was general rejoicing when Elizabeth came to the throne in 1558 and established the Protestant Anglican Church.
It seemed to me that Elizabeth’s sojourn at Queen Katherine’s and the nearly disastrous relationship with Thomas Seymour is a seminal point in Elizabeth’s development, balancing ambition with her heart’s impulses. How significant is this period in determining the course of Elizabeth’s life? How does Seymour’s death affect Elizabeth?
I should have said that the Seymour episode contributed crucially to Elizabeth's resolve never to marry. It’s intriguing to find that most of the men with whom she became involved later were dark and dashing, even a little dangerous, like Seymour. She kept a tight rein on her emotions on hearing of his death, so we have no way of knowing how deeply it affected her.
The bookish, fanatically reformist, young Lady Jane Grey is a victim of the same overreaching ambitions of others that plagues Elizabeth. But Jane eventually loses her head. What does this vile act through Mary’s orders tell Elizabeth about the precariousness of her own situation?
Elizabeth now has every reason to believe that she will meet the same fate. And Mary's decision to execute Jane was not so much as vile but rather forced by her advisers. In a way, she was as much a victim of circumstances as Jane was.
How significant is William Cecil in Elizabeth’s life? How does he serve her cause even before she is crowned?
He was to be her chief counsellor and political adviser for over thirty years. Prior to her accession, he worked covertly for her benefit, much as he is shown doing in the novel. She was always to value his wise advice.
Over the years, Elizabeth establishes a tentative peace with Mary. Yet religion always interferes with the fragile peace they maintain. How do Mary’s fears about Elizabeth, fueled by her advisors and Philip of Spain, continually put Elizabeth in danger of being sent to the Tower or worse?
Mary is so suspicious of Elizabeth's motives, and so determined that her sister will not succeed her and turn England Protestant that she is always ready to believe the worst of her. And with her advisers dripping vitriol in her ear, Elizabeth's fate is constantly hanging in the balance.
The considerable tension between Henry’s daughters is based on more than religious differences. What are the other issues that plague Mary and Elizabeth? Is each daughter not remarkably like her mother, Katherine of Aragon and Anne Boleyn, respectively?
Yes, the daughters are very like their mothers, and the knowledge that Anne Boleyn broke up Mary's mother’s marriage and was a vicious enemy to Katherine and Mary lies between Mary and Elizabeth like a dividing sword. Mary also fears that Elizabeth is not her father’s child, but the bastard of one of Anne Boleyn’s alleged lovers. And Mary is jealous of Elizabeth because she is so much younger and attractive to men.
After the interminable investigation about Thomas Seymour and Mary’s constant fears of plots fomented by her sister, Kat is removed from Elizabeth’s household; Elizabeth seems to be more frequently plagued by various ailments and debilitating headaches. Does this pattern of illness continue throughout her life?
No, it was chiefly evident in her early years, exacerbated no doubt by the insecurities in her life; it is likely too that some of these ailments were purely diplomatic!
Queen Mary: “You are my heir and it is unthinkable that my heir should be of the reformed faith.” How does this statement define Mary’s unwillingness to pass the crown to Elizabeth after her death? What must Elizabeth do to convince her sister?
Mary craves Elizabeth's undertaking that she will maintain the Catholic religion in England, but Elizabeth is prepared only to go so far as to swear to uphold the true faith. Mary is aware that she is being deliberately ambiguous, but she knows too that Elizabeth will concede nothing further. The tide is turning and England is looking to its rising star.
The fanaticism of the Inquisition is visited on Spain; was it also imported to England through Philip of Spain? What does Mary’s marriage to Philip and the Inquisition portend for those in England who embrace the reformed faith?
The Inquisition was never introduced into England, although there were fears that it would be as a result of Mary's marriage to Philip. It was Mary, not Philip, who revived the heresy laws, and Mary who drove the persecution. Knowing that he was blamed for the burnings, Philip did his best to stop them. Many people were concerned that this marriage would turn England into a mere satellite of Spain. When Mary lost Calais after becoming embroiled in Philip’s war, it became clear just how disastrous this marriage had been for England.
Philip of Spain, Mary’s husband, sets his sights on a potential marriage with Elizabeth after his wife’s demise. How do such betrayals serve to undermine the relationship between the sisters? In the end, are they not equally alone in their dreams and their fears?
Mary fears almost from the first that Philip will be attracted to Elizabeth, not only as a woman, but as a future queen, and that does nothing to improve relations between the sisters. Mary certainly ended up very much alone, her dreams in ruins. Elizabeth's isolation ended with Mary's death, and her dreams were shared by many of her new subjects.
In The Lady Elizabeth, you discuss a very controversial episode in Elizabeth’s past, one that has been the source of much speculation over the years. Without giving anything away, can you tell us how you feel about this topic, as an historian as well as a novelist?
I’ve made a decision not to discuss this aspect – I want people to read the book! What I will say is that I have written a detailed Author’s Note (which is at the end of the book), supporting what I have written. As a historian, I would not be going down this path!
In your role as novelist, what was the most challenging aspect of writing The Lady Elizabeth? The most rewarding?
The most challenging aspect was writing the controversial passages and wondering if they would sound credible. The most rewarding aspect, of course, was getting to know Elizabeth herself all over again, with the luxury of imagining what it would be like to be her.
Will you follow up this novel with more about the magnificent Elizabeth? Will that be the topic of your next novel? If not, can you give us an idea of what your new novel will be about?
I am at present discussing subjects for further novels with my publishers. I cannot say any more than that at present!
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